Saul (Act 3)
Desperate and forsaken by God, Saul seeks guidance from the Witch of Endor, who summons the spirit of the prophet Samuel. Samuel foretells Saul’s impending doom, declaring that he and his sons will die in battle and the kingdom will pass to David. The prophecy is fulfilled as Saul and Jonathan are killed in combat against the Philistines. An Amalekite …
Saul (Act 2)
Act 2 delves deeper into Saul’s jealousy and the growing tension between him and David. Jonathan warns David of Saul’s murderous intentions, and the two reaffirm their friendship, with Jonathan vowing to protect David. Saul, consumed by envy, accuses Jonathan of disloyalty for siding with David and even threatens his own son. Despite Saul’s earlier promise to spare David, he …
Saul (Act 1)
The act opens with a triumphant celebration of David’s victory over Goliath. The Israelites praise God and honour David for his bravery. Saul, the king, initially welcomes David and offers him his daughter Merab in marriage, though Merab scorns the idea of marrying someone of lower status. Saul’s son, Jonathan, forms a deep bond of friendship with David, admiring his …
Samson
The genesis of Handel’s Samson The season in which Handel premièred Samson, at Covent Garden Theatre on 18 February 1743, marked his final departure from Italian opera and his permanent turn to English word-setting. The last of his more than 30 Italian operas for London had been produced, to small enthusiasm, in 1741. During that summer he wrote Messiah, which …
Armida Abbandonata
An early work of Handel, this secular cantata was composed in 1707, and premiered that same year at the Palazzo Bonelli, in Rome. Wanting to write opera after his early success in Hamburg, Handel traveled to Italy; however upon arrival in Rome, Handel discovered that opera had been banned by Papal edict. In lieu of opera, Roman aristocracy hosted performances of secular cantatas, which were, for all intents and purposes, short operas without staging. Handel delved into this form, writing over 100 of these chamber cantatas for various patrons.
Planet Hugill – a Baroque banquet for Christmas
Time stopped with the upper voice trio, ‘Suscepit Israel’
The Arts Desk Review – a Baroque banquet for Christmas
The strength-in-depth of this full-blooded Magnificat may have served as the evening’s meaty centrepiece. Still, those early courses delivered far more than pretty trimmings.
The Big Give Christmas Challenge: A Week of Doubling Your Donations
We are delighted to announce that thanks to the generosity of our supporters, we have now reached our goal of raising £40,000 to support Handel for All and have unlocked all of the matched funding available to us! With your support, we will be able to continue in our mission to make the music of Handel available to everyone, everywhere, free of charge.
Announcing a Vibrant 2025 Spring Season: Baroque Masterpieces, Celebrated Operas and International Performances
With the end of 2024 fast approaching, we are pleased to announce a busy Spring 2025 Season. Alfonso Leal del Ojo, Chief Executive of The English Concert, says: “We’re thrilled to present a 2025 Spring season that bridges centuries of musical heritage with contemporary relevance. From Trevor Pinnock’s return with Lucy Crowe to our international tour of Handel’s ‘Giulio Cesare,’ …