Harry Bicket discusses the development of period instrument performance during the past several decades.

Bicket reveals his belief that attitudes towards the practice should be revised, allowing ensembles like The English Concert to be judged directly against orchestras that perform on modern instruments.

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This month’s pick has been selected by TEC oboist, Clara Espinosa Encinas
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Discover what critics from The Guardian, The New York Times, Wall Street Journal, and more had to say about our recent production of Handel’s Giulio Cesare
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This month’s pick has been selected by TECA fellow and violinist, Jeffrey Girton
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