Press | October 29, 2020
The Times – Britain’s Orpheus Review
“Connolly, after forays into Wagner, Mahler and a brush with cancer, remains optimal casting for the charismatic title role, written for a woman, even though the role of the biblical king was intended as an avatar for Handel’s royal patron, George II, here seen as the Act I lover, opposite Mafi’s radiant Queen, and as an international diplomat in the
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A note from Coram.
“when the English Concert and this vocal ensemble came together under the direction of Harry Bicket, as part of the London Handel Festival, the sound was something of an Easter miracle.”.
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