Press | December 23, 2024
The Arts Desk Review – a Baroque banquet for Christmas
The strength-in-depth of this full-blooded Magnificat may have served as the evening’s meaty centrepiece. Still, those early courses delivered far more than pretty trimmings.

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Discover what critics from The Guardian, The New York Times, Wall Street Journal, and more had to say about our recent production of Handel’s Giulio Cesare
This month’s pick has been selected by TECA fellow and violinist, Jeffrey Girton
In a dark and meaningful yet beautifully powerful performance, alto, Jess Dandy, was superb. Under the direction of Francesco Corti, its small chorus might have been a cast of thousands, so powerfully did they project. Their opening, where the music seemed to be emerging threateningly from the bowels of the earth, had gripping force. Bach’s St John Passion, Good Friday,
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