Orfeo ed Euridice, Edinburgh International Festival

“The 18th century-style oboe, bursting into song in the pastoral scene, was like an ecstatic sunburst – I initially thought it was a human voice – compared to the more focussed modern equivalent.”
— Ken Walton, The Scotsman

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“Bach’s holiness has its wild, rough and earthy side: her punk virtuosity with this most untameable of brass beasts made it thrillingly audible” “…singers and players alike glowed, gripped and soared. In the right hands, and voices, Bach’s great farewell portmanteau can always sound, and feel, freshly-made” The Arts Desk
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