This ensemble sets a standard for Handel performance in the 21st century.

(Louise Alder’s) Cleopatra… was charismatic and fully realized, her voice sparkling like the diadem she donned in the final scene

Arya Roshanian, The New York Times

…all utterly compelling..

(Christophe Dumaux’s) extraordinary control of a single unaccompanied sustained note at the start of his heartfelt aria in the final act, shaping an achingly slow crescendo and decrescendo in a way that was little short of bewitching.

Flora Willson, The Guardian

The orchestra under Bicket’s sensitive flexibility wrought constant wonders and engaged with the action when they weren’t playing.

…four hours simply flew by.

David Nice, The Arts Desk

Bicket’s creative direction and the band’s period detail lifted the whole performance.

Jon Sobel, Blogcritics

A four-hour feast of vocal and orchestral luxury.

Mr. Bicket and his orchestra—individuals and tutti—were as characterful and sensitive as the singers… The English Concert clearly revels in its kaleidoscopic array of musical riches.

Heidi Waleson, Wall Street Journal

This was truly an extraordinary performance of Handel’s masterpiece.

Dumaux had everything you wanted from the title role: a commanding presence, a gorgeous voice full of color and nuance, an ease of coloratura, elegant phrasing and dynamics, and a commendable breath control.

Michael Anthonio, Parterre Box

This cast might have been the best one has heard with them yet… The ensemble’s smooth, precise intonation and articulation are a large part of that, not only finer than early music ensembles in general but better than most modern groups.

George Grella, New York Classical Review

This Cesare (…) exuded star power

Neil Fisher, The Times (Paywall)

Experience the excitement yourself – book your tickets for our upcoming performances today!

Keep Reading
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The English Concert return to North America with a major Handel opera project. This time, the lesser-known Hercules HWV60, directed by Harry Bicket, a noted interpreter of the work.
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When Rinaldo premiered in 1711, it cemented Handel at the forefront of London’s operatic landscape. To this day, it remains one of his most-revered works. Harry Bicket and The English Concert will be joined by an outstanding cast for an international presentation of Rinaldo in October.
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This month’s pick has been selected by TEC keyboard player, Tom Foster.
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