
Kristian Bezuidenhout has established himself as one of the most versatile and exciting musicians of his generation, both as a keyboard player and conductor. Born in South Africa in 1979, he began his studies in Australia, completed them at the Eastman School of Music (Rochester, NY), and now lives in London. After initial training as a modern pianist with Rebecca Penneys, he explored early keyboards, studying harpsichord with Arthur Haas, fortepiano with Malcolm Bilson, and continuo playing and performance practice with Paul O’Dette. Kristian first gained international recognition at the age of 21 after winning the prestigious first prize and audience prize in the Bruges Fortepiano Competition.
Kristian is a regular guest soloist on fortepiano, harpsichord, and modern piano with the world’s leading ensembles, including Freiburger Barockorchester, Symphonieorchester des Bayerischen Rundfunks, Leipzig Gewandhausorchester, Mozarteum Orchester, Camerata Salzburg, Orchestre des Champs-Élysées, Les Arts Florissants, Orchestra of the Eighteenth Century, Concertgebouw Orchestra, Chamber Orchestra of Europe, Orchestra of the Age of Enlightenment, Orchestre Révolutionnaire et Romantique, Chicago Symphony Orchestra, and the Australian Chamber Orchestra. He has performed with celebrated artists such as John Eliot Gardiner, Philippe Herreweghe, Bernhard Haitink, Daniel Harding, Frans Brüggen, Trevor Pinnock, Giovanni Antonini, Jean-Guihen Queyras, Isabelle Faust, Alina Ibragimova, Rachel Podger, Carolyn Sampson, Anne Sofie von Otter, Mark Padmore, and Matthias Goerne.
In addition to his work as a soloist, he is increasingly in demand as a conductor and continues to explore the music of the late 17th and early 18th centuries with groups including the English Concert (Handel Chandos Anthems, Purcell Odes, Bach St. John Passion), Tafelmusik, Collegium Vocale, Juilliard 415, Kammerakademie Potsdam, and Dunedin Consort (Bach St. Matthew Passion). Kristian is Principal Guest Director of both Freiburger Barockorchester and the English Concert.
Kristian’s rich and award-winning discography of over 30 albums—mostly for Harmonia Mundi—includes the complete keyboard music of Mozart (Diapason d’Or de l’Année, Jahrespreis der Deutschen Schallplattenkritik, and Caecilia Prize); Schubert’s Die schöne Müllerin with Julian Prégardien; the complete Piano Concertos of Beethoven with the Freiburger Barockorchester; an ongoing cycle of the complete Mozart Piano Concertos with the Freiburger Barockorchester (ECHO Klassik); Bach Violin Sonatas with Isabelle Faust; Mozart Violin Sonatas with Petra Müllejans; and Beethoven & Mozart Lieder and Schumann’s Dichterliebe with Mark Padmore (Edison Award). In 2013, he was nominated as Gramophone Magazine’s Artist of the Year.
The passacaille dance takes its name from the Spanish dance …
Bach reserves some of his most beautiful music for the momen …
Listen to this sweet short Rondeau from Purcell’s The Indian …
The 2017-2018 season marks the start of a wonderful partners …
For the majority of music in the baroque period, whether pur …