We are delighted to announce Mozart’s Mitridate, re di Ponto as our production for Garsington Opera’s 2020 season.
The young Mozart combines glorious melody, dazzling vocal fireworks and exquisitely tender melancholy in his first opera seria, premiered to immediate acclaim in the year of Beethoven’s birth. The king, Mitridate, and his two sons are all in love with Princess Aspasia; a complex web of rivalry, jealousy and pent up passion ensues.
Conductor Clemens Schuldt makes his Garsington debut with The English Concert, Robert Murray sings in the title role and Tim Albery returns to direct.
Performances: 29, 31 May, 5, 11, 13, 20, 29 June, 2 July 2020
The Garsington 2020 Season also features productions of Verdi’s Un giorno di regno, Dvorak’s Rusalka and Beethoven’s Fidelio with the Philharmonia Orchestra.
Other Blog Posts
Experiencing South Korea
Louise Hogan offers a wonderful insight into our recent tour to East Asia We are here with Sumi Jo, a star soprano the like of which we have never experienced. One dress is
Monteverdi Vespers at Garsington
(c) Garsington Opera
Handel vs the Opera of the Nobility
It’s easy to think of Handel as the all-conquering hero, arriving in London from his Italian adventures, and commanding the operatic scene for the rest of his life. While any passer-by on the streets
Wanted for murder
There are plenty of mysteries out there in the musical world: the two heads inside Haydn’s tomb, the enigma behind Elgar’s variations. But what of the gruesome murder of poor Jean-Marie Leclair (1697-1764)? From
Tainted love: the making of a monster
It’s the mother of all bad hair days for Scylla in Leclair’s only opera. Based on Ovid’s Metamorphoses, Scylla is just a nymph going about her business. Not especially interested in love, she rejects