Esnoga: Jerusalem of the North

The English Concert sets out to explore the beauty of Jewish musical life, including the music of Cervetto and Uccelini as well as non-Jewish composers commissioned to write for Jewish events such as Lidarti and Marcello.

The English Concert
Harry Bicket director/harpsichord
Christopher Ainslie countertenor
Nadja Zwiener violin
Joseph Crouch cello

Benedetto Marcello Sinfonia from Le quattro stagioni  (1731)
Marco Ucellini Violin Sonata 'La ebrea marinata' Op.4, No. 3
Cristiano Giuseppi Lidarti Kol HaNeshama
Giacobo Basevi Cervetto Cello Concerto in G major modern premiere
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Salamone Rossi Sonata quarta sopra l'Arie di Ruggiero
Salamone Rossi Sonata in dialogo
Giacobo Basevi Cervetto Trio Sonata No 1 in g minor
Benedetto Marcello Psalm 21 ‘Volgi mio’

Amsterdam and Venice, two great cities of music in the 17th and 18th Centuries, were not just bustling hubs of trade and culture, but home to large Jewish communities. Many had fled to Holland to escape persecution in Portugal and Spain, and having built the Esnoga, a vast synagogue in Amsterdam (the largest at that time in the world), the city became widely referred to as the ‘Jerusalem of the North’.

Religious freedom in both cities gave rise to a fusion of cultures, particularly in music. With a strong tradition of conservative monodic chant in sacred ceremonies, instrumental music being largely frowned upon in the Temple except for weddings, communities freely adopted western styles of composition to celebrate other important aspects of Jewish life such as holidays, anniversaries and feastdays.

The English Concert sets out to explore the beauty of Jewish musical life, including the music of Cervetto and Uccelini as well as non-Jewish composers commissioned to write for Jewish events such as Lidarti and Marcello.

Season Highlights
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Wigmore Hall, London

All three are based on the favourite chorale of the time, Veni redemptor gentium (as translated by Luther). Despite the chorale’s medieval origins, BWV 61 shows the influence of the avant-garde French Ouverture. In BWV 62 he turns to Vivaldian concerti for inspiration, while in BWV 36 the ancient tune is knitted into the very genetic heart of the music. In each case the results are joyous in their...

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St John's Smith Square, London

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Wigmore Hall, London

Muffat moves his own chess pieces in his quest to unite the styles of France, Italy and Germany, while Bach offers one of his timeless masterpieces. Christian Curnyn returns to direct the orchestra with much-loved repertoire.The English ConcertChristian Curnyn director/harpsichordNadja Zwiener violinTuomo Suni violinHandel Concerto Grosso in D Op.6, No.5 HWV 323Purcell Suite from Dioclesian Z627Bach...

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