Dorothee Mields is one of the leading interpreters of 17th- and 18th-century music and is beloved by audiences and critics alike for her unique timbre and moving interpretations.
Her flawless technique and the ethereal clarity of her voice also make her ideally suited for works by contemporary composers like Beat Furrer, Gérard Grisey, Hans Werner Henze und Pierre Boulez. She appears regularly with the Collegium Vocale Gent, Bach Collegium Japan, Netherlands Bach Society, Freiburger Barockorchester, RIAS Kammerchor, Orchestra of the Eighteenth Century,
L’Orfeo Barockorchester, Lautten Compagney and Klangforum Wien under such conductors as Stefan Asbury, Ivor Bolton, Frans Brüggen, Pierre Cao, Beat Furrer, Paul Goodwin, Philippe Herreweghe, Wolfgang Katschner, Gustav Leonhardt, Emilio Pomárico, Hans-Christoph Rademann, Ludger Rémy, Peter Schreier, Andreas Spering, Christoph Spering, Stephen Stubbs, Masaaki Suzuki and Jos van Veldhoven. Dorothee Mields is a welcome guest at international festivals, including the Leipzig Bach Festival, Suntory Music Foundation Summer Festival in Japan, Boston Early Music Festival, Flanders Festival, Vienna Festival, the Handel Festival in Halle, Niedersächsische Musiktage and Musikfest Bremen.